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Pride and Prejudice (Hamill)

Expires: January 1, 2027
Can Apply with Profile

About the Project

Kate Hamill’s Pride and Prejudice is a witty, romantic whirlwind adaptation of Jane Austen’s beloved classic. This isn’t your grandmother’s Regency romance. Hamill’s version crackles with playful chaos, sharp humor, and irresistible charm as the Bennet sisters navigate love, expectations, and the delightful absurdities of polite society.
We are looking for a diverse cast or approximately 8 actors capable of quick character swaps and physical comedy.
(Note: the roles of LIZZY and DARCY will not be doubled).
Character age range and/or gender identity need not necessarily match the actor’s.
All characters speak in an RP British dialect or regional/international accents.
Every role is open.

Submission Instructions

Please sign up for VCS Pride & Prejudice Auditions! Here's how it works in 3 easy steps:
1. Click this link to go to our invitation page on SignUp: https://signup.com/go/OPHKDjm
2. Enter your email address: (You will NOT need to register an account on SignUp)
3. Sign up! Choose your spots - SignUp will send you an automated confirmation and reminders. Easy!

Note: SignUp does not share your email address with anyone. If you prefer not to use your email address, please contact me and I can sign you up manually.

Please send headshots and resumes in advance - by email is preferred.
Submit to ksutherland50@gmail.com or auditions@valleycenterstage.org

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Audition Requirements

Click this link to go to our invitation page on SignUp: https://signup.com/go/OPHKDjm
Appointment preferred. Drop in auditioners will be accommodated as the schedule allows.

Please prepare a 2 minute max. comedic monologue for auditions.
VCS will provide a monologue from the script for auditioners without one.
Come prepared to do some movement.

We will hold a few rehearsals before January 2027. Dates TBD. The bulk of the rehearsals will start 1/2/27.
Sat/Suns 11am - 2pm, and TBD Mon/Tue/Wed/Thurs 6:30 - 8:30pm

Performances February 12-28, 2027. Shows will be Thursday, Friday, Saturday evenings at 7:30pm. Sundays matinees at 2pm. All actors must be available the evening of Thursday February 11th for a final dress rehearsal and all performances February 12 - 28.

Audition Dates

Saturday 11/7, and Sunday 11/8 from 1pm to 3pm
Callbacks TBD - tentativley slated for Wednesday 11/11 from 7-9pm

Sides or Script Location

on site

Contact

Contact: Kristina Sutherland
Phone: Call Now

Pay Details

Pay Rate: -
Pay Type: None
Audition Type: Theatre

Geography

Locality: Local to Puget Sound
Location: Valley Center Stage - 1060 Stilson Ave SE North Bend, WA 98045
North Bend
, WA

Character Breakdown

JANE BENNET
Late 20s/ early-mid 30s. The eldest and most beautiful Bennet daughter. Kind, idealistic, diffident. Always tries to do the right thing. Can be a bit shy. Very close with Lizzy. Doubles with MISS DE BOURGH – Lady Catherine’s sickly, overbred daughter; communicates mostly in one-word phrases. A nasty, overindulged little gremlin. Rather keen on marrying Mr. Darcy.
LIZZY BENNET
Late 20s – early 30s. Clever, spirited; can be sharp-tongued and cynical. Gets flustered, which makes her klutzy. Prides herself on good judgment. Bit of a goofball. Not particularly beautiful. NOT interested in “catching a man”.
LYDIA
16. The youngest Bennet. Lively, highly impressionable. Can put on airs. Enjoys balls, boys, and being right. Likes to matchmake; overindulged by her mother. Prides herself on cleverness. Doubles with LADY CATHERINE: 50s. Patrician Caesar-meets-drill sergeant. One of the richest women in England. Everything is beneath her, but nothing is beneath her notice. Capable of being quite casually cruel; thinks she gives excellent advice. Unused to defiance; accustomed to flattery. Capable of being quite coquettish with men of her own social class – of which there are, perhaps, two in the world.
MRS. BENNET
50s-60s. The matriarch of the Bennet family. The business of her life is to get her daughters married. High energy, high drama, high stakes constantly. Fancies herself a master strategist. Mostly a silly woman of variable temper; serious hypochondriac.
MR. DARCY
Late 30s-40s. One of the richest men in England. Too proper for his own good; awkward in most social contexts. Prides himself on self-control and good judgment. Not always great with words; says the wrong thing with some regularity.
MR. BINGLEY
30s-40s. Loves the world and the world loves him. Wealthy. Inclined to exaggeration; impossibly good-natured, and thus easily led. A bouncy, impetuous golden retriever of a man. Doubles with MARY: Late teens-20s. The third Bennet girl, the runt of the litter; prone to pendanticism and sulking. She likes playing the piano (badly) and demonstrating her learnedness. She dislikes being forgotten or left out.
WICKHAM
30s-40s. An unfairly handsome and charming gentleman serving as a Lieutenant in the local regiment. Raised with Mr. Darcy, whom he resents; has fallen from grace a bit since his upbringing. Knows just what to say, and just how to say it. Very good with the ladies. Doubles with MISS BINGLEY: 20s-30s. A very rich young woman, sister to Bingley. Fancies herself very witty. Rather beautiful; impossibly elegant. Determined to land Mr. Darcy, and despises Lizzy Bennet. Doubles with COLLINS: late 20s-40s. Rector to Lady Catherine, whom he worships like a God and is desperate to impress. A self-important academic. He tries hard to be impressive – unfortunately, he has an idiosyncratic quirk wherein he cannot quite, ever, land on the right word.
MR. BENNET
50s-60s. The patriarch of the Bennet family. Finds amusement in absurdity; often looks for a respectable escape from the chaos of his family life. Disappointed in his marriage; engages in the kind of long-term psychological warfare that unhappy couples practice. Quite fond of a few of his daughters. Doubles with CHARLOTTE LUCAS: Late 20s-30s. A practical girl with a good sense of humor. Not from much money. Like Lizzy, not particularly beautiful. Capable of being quite dry and wry. Ends up married to Mr. Collins whom she tolerates with some measure of success.