Dacha Theatre is casting for An Incomplete List of all the Things I'm Going to Miss When the World is No Longer (New Musical)

Dacha Theatre

About the project and the company

Dacha Theatre is casting for our upcoming production of Dante Green’s musical An Incomplete List of all the Things I’m Going to Miss When the World Is No Longer, directed by Nansi Dwendi. The show will run January 27 – February 11 at Theatre Off Jackson.

 

ABOUT THE SHOW:

          An Incomplete List Of All The Things I’m Going To Miss When The World Is No Longer: Is an electro-synth pop musical at the end of the world. Following a global announcement of the exact time earth, as we know it, will cease to exist, a community of young queer friends and lovers decide the only reasonable thing would be to gather together for one last rager. This 80-minute musical invites you into a glance at the last party on earth — interweaved through a retrospective of cherished and tragic memories — to celebrate and mourn the delights and deceptions of the human experience.

 

AUDITION INFORMATION:

We will be doing a combined audition/callback process. Auditioners should expect to come for a three hour slot, sing a prepared song, do some group improvisation exercises, and read sides from the show.

Please prepare 16-bars of a song. Pop songs and contemporary musical theatre preferred. Please bring in sheet music for the accompanist.

If you would like a song recommendation please email dachacasting@gmail.com and we will be happy to provide one. 

Available Audition Slots:

Saturday, November 12th — 11am – 2pm

Sunday, November 13th — 2pm – 5pm

Monday, November 14th — 6:30pm – 9:30pm

Monday, November 21  —  6:30pm – 9:30pm 

Tuesday, November 22  —  6:30pm – 9:30pm

To sign-up, please complete this Google Form: https://forms.gle/yZft5ezMaECo8QtC6.

Auditions are by approval only. We will reach out to you if we would like to see you by November 9th. 

 

SHOW SCHEDULE

Rehearsals 

(Exact schedule TBD based on actor availability, typically 3-5 days/week, weekday evenings and weekend afternoons. )

November 28 – January 20 (December 21 – 28 DARK)

Actors will receive a general schedule at the start of the process. Exact calls will be sent out at the start of each week.

Rehearsal locations will be split between a few rehearsal spaces located in Capitol Hill, Phinney Ridge, TPS, and the International District 

Tech 

(Full days Saturday, 10/21 and Sunday, 10/22, evenings January 23-26)

January 21 – January 26 

Tech will take place at Theatre Off Jackson in the International District. 

Shows

(Exact show schedule TBD, may include Monday, Thursday, Friday evenings, Saturday/Sunday afternoons and evenings)

January 27 – February 11

Shows will take place at Theatre Off Jackson in the International District. 

 

COVID-19 EXPECTATIONS

All members of the team must be fully vaccinated and have received at least one booster by the start of the rehearsal process. While not required, we strongly recommend receiving the bi-valent booster prior to the rehearsal process beginning.

All members of the team will be required to test weekly and report any possible Covid exposures. 

Performers will be unmasked for shows.

Audition requirements

Please see audition requirements above.

Character breakdown / Project needs
ELLIE
They/Them or She/Her, Ageless. The Voice of All Technology. This world’s version of Siri, Alexa, Smart Home, Social Media, and Virtual/Augmented Reality combined.
MICAH
They/Them, 22-26. Non-Binary, Trans and/or Gender-Non-Conforming. Any Race. The Host. Pruitt’s closest friend. A sparkling supernova of energy and empathy.
PRUITT
He/They or He/Him, 22-26. Trans man preferred, but cis is okay too. Neurodivergent actor preferred. Any Race. The Secret Admirer. Micah’s ride or die. The biggest, brightest brain there ever was. The biggest, quietest heart there ever was. Someone who says yes even if they mean no.
KARINA
She/Her or She/They 19-24. Cis or Trans Woman. Person of Color preferred. The Lover. The third wheel in the tricycle that is Pruitt and Micah. A bold, resilient person who must live from a place of joy as a means for survival.
JOHN
He/They, 19-24. Cis or Trans Man. Preferred a mixed or biracial man. The Lost. The son of Trust. Floating between memory and reality. Lost to time and the system.
TRUST
She/Her, 40-55. Cis or Trans Woman. Person of Color preferred. The Carrier. John’s mother. A hardened woman, bound to one place. Someone who has lost belief in trust and concreteness long ago.
ORLIN
He/Him, 40-50. A cis straight white man. The Wanderer. A strategic floater. Learned early in age what to do/say to make the world benefit him but might not know the consequences of his own actions. Someone who is not ill-intentioned, but not always well-intentioned either.
PETER
They/He, 28-35. Non-Binary Man. Preferably a person of color. The Alone. Someone who speaks before he thinks. Someone who thinks the world would be better off without him, but doesn’t know how much of a gift he truly is. It doesn’t help that his peers don’t show him this either.
MELODY
She/Her, 30-35. Cis Woman. Person of Color preferred. The Abstraction. A woman who carries mystery but isn’t actually mysterious, she’s just disinterested. Always one to give someone a second chance, even when they don’t deserve it.
ENSEMBLE
Movers, dancers, band members, and friends. All ready to party. Ensemble members may understudy other roles.
Additional information
Preferred method of submission

Other

Audition/Interview dates

Please see available slots above.

Pay type

Stipend

Audition location

Seattle WA

Pay type

Performers will be paid a $300 stipend for the production. Performers will be paid a $300 stipend for the production.

Submission instructions

To sign-up, please complete this Google Form: https://forms.gle/yZft5ezMaECo8QtC6. Auditions are by approval only. We will reach out to you if we would like to see you by November 9th.

Union Requirements

Non-Union

Website specific to project

https://www.dachatheatre.com/auditions

Equity Contract

Non-Union